Nelson Cruz Extends HR Streak To Five Games - RealGM Wiretap

Nelson Cruz continued his home run streak on Wednesday night by going deep in his fifth straight game.

 

Cruz hit a solo home run in the fourth inning against the Los Angeles Dodgers.

 

He has six homers and nine RBIs in the past five games for the Seattle Mariners.

 

"He's swinging the bat extremely well Norichika Aoki Mariners Jersey ," Lloyd McClendon said. "He's slowing down, letting the ball travel, he's using the entire field to hit. He's doing a great job for us."

Cubs Arent Close Enough To Attack Free Agency - RealGM Wiretap The Cubs are not far enough along in their rebuilding process to make a major splash in free agency this winter. Chicago has won 13 of their last 18 games, but they are still just 37-53 on the season. "Sometimes that works out for you," president Theo Epstein said, "and more often than not it doesn't. There's a price to pay for that kind of thing. So if you get tempted and you get impatient and you try to solve your problems through free agency, there's always a price to pay, and it usually happens pretty soon thereafter or towards the end of those deals. "Free agency's definitely a nice way to add talent to an organization without giving up talent. But you cannot make an organization that way. And we have a lot of steps ahead of us that we need to take care of before we're in a position to add a finishing piece or two through free agency." Epstein isn't planning to be aggressive in free agency until the Cubs have laid more groundwork. "We'll always look to free agency," Epstein said. "We'll always be on every free agent and see if there's the right player or the right value. But if we sat around and drew up a plan and had free agency as the answer to most of our problems Nelson Cruz Mariners Jersey , we'd be on a fool's errand there. "We need to build the foundation. We need to have scouting we believe in, player development we believe in, a steady flow of prospects, a core of young players. And then you can look to free agency. If the right deal is there ahead of schedule, great, but we're not going to count on it. Let's put it that way." ? Though digital photography has come a long way, beginning photographers must still maintain control of the shots they intend to take. For example, focusing and clarity can be sensed automatically by most digital cameras, but that doesn't necessarily make the picture a good one. Therefore Luis Sardinas Mariners Jersey , choosing the right camera, one which allows you to control intensity, contrast and lighting, is not a choice to make sparingly. Most often, people review cameras and pick their own personal favorite, and while the advice may be helpful to others, it is not necessarily for everyone. First, your needs must determine the type of camera you will buy. Do you prefer to have a smaller camera that can be carried around in your pocket, or would you rather a full-size camera which is carried in a bag? The choice is up to the buyer Kyle Seager Mariners Jersey , and should be thought about carefully before making a decision.

Some of today's film purists look at digital photography as an unnecessary evil. Is it an unfair advantage that the digital photographer can take a photograph, upload it to their computer, do a little image editing, then have a finished product ready to present to a client (or a personal framed print, suitable for hanging), all in a matter of a couple of hours or less? This is called capitalizing on available technology, and if you're still one of those that haven't embraced the tools that are available today, then shame on you! In no way does this mean that film photographers should ditch their 35mm cameras and darkrooms. Much of the work performed in the darkroom is similar to what we do today in Photoshop. We cloned in trees that didn't exist, removed power lines that distracted from the shot Ken Griffey Mariners Jersey , enhanced colors that were bland, and if we couldn't do it in the darkroom it was sent to the lab's airbrush specialist. This person who was definitely an artist and highly skilled in what she did, also took ordinary images and made them extraordinary. One of her specialties was taking old photos that had been bent, folded, and manipulated, and airbrushed everything back to perfection. Digital photography and image processing is not a whole lot different from how things were done 25 years ago.

Normally our eyes compensate for lighting conditions with different color temperatures. A digital camera needs to find a reference point which represents white. It will then calculate all the other colors based on this white point. For instance, if a halogen light illuminates a white wall, the wall will have a yellow cast, while in fact it should be white. So if the camera knows the wall is supposed to be white Joaquin Benoit Mariners Jersey , it will then compensate all the other colors in the scene accordingly. Most digital cameras feature automatic white balance whereby the camera looks at the overall color of the image and calculates the best-fit white balance. However these systems are often fooled especially if the scene is dominated by one color, say green, or if there is no natural white present in the scene. Most digital cameras also allow you to choose a white balance manually, typically sunlight, cloudy, fluorescent, incandescent etc. Prosumer and SLR digital cameras allow you to define your own white balance reference. Before making the actual shot, you can focus at an area in the scene which should be white or neutral gray, or at a white or gray target card. The camera will then use this reference when making the actual shot.

You may have already noticed that when you're outside on a sunny day using the SportsAction mode to take pictures of your child playing soccer or your pet catching a Frisbee Ichiro Suzuki Mariners Jersey , that you get these great action images that are worthy of submission to Sports Illustrated Magazine. But when you go inside and take photos of a basketball game with the same camera in the same "sports mode", you get imag.